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    <title>DSpace Collection: It includes various articles published by the faculties</title>
    <link>http://192.168.1.50:8080/xmlui/handle/123456789/113</link>
    <description>It includes various articles published by the faculties</description>
    <pubDate>Tue, 26 May 2026 10:42:17 GMT</pubDate>
    <dc:date>2026-05-26T10:42:17Z</dc:date>
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      <title>Cyberfeminism and Gendered Power: Analyzing the Impact of Virtual Assistants on Submissive Behaviour in Digital Spaces; A Critical Review of UNESCO's “I’d Blush if I Could” Report</title>
      <link>http://192.168.1.50:8080/xmlui/handle/123456789/552</link>
      <description>Title: Cyberfeminism and Gendered Power: Analyzing the Impact of Virtual Assistants on Submissive Behaviour in Digital Spaces; A Critical Review of UNESCO's “I’d Blush if I Could” Report
Authors: Mufasir Babu P
Abstract: Artificial intelligence (AI) and virtual assistants like Siri, Alexa, and Google Assistant have&#xD;
become integral to daily life. However, concerns have emerged about the gender biases these&#xD;
technologies can perpetuate, as seen in their passive and submissive responses to verbal&#xD;
harassment. This paper reviews UNESCO's “I’d Blush If I Could” report, which highlights&#xD;
how these biases reflect broader gender inequalities in AI. The paper argues for the need to&#xD;
promote gender-neutral voice assistants, close the digital skills gap, and increase women's&#xD;
participation in both technical and non-technical roles in the tech industry. These actions are&#xD;
essential for creating a more equitable future for AI technology.</description>
      <pubDate>Sun, 01 Dec 2024 00:00:00 GMT</pubDate>
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      <dc:date>2024-12-01T00:00:00Z</dc:date>
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      <title>HYDRO-TERROR AND HUMAN SPACES: NARRATIVES OF WATER, POWER, AND DISPLACEMENT IN LITERATURE</title>
      <link>http://192.168.1.50:8080/xmlui/handle/123456789/551</link>
      <description>Title: HYDRO-TERROR AND HUMAN SPACES: NARRATIVES OF WATER, POWER, AND DISPLACEMENT IN LITERATURE
Authors: Mufasir Babu. P
Abstract: This article explores the theme of hydro-terror and its impact on human spaces in literature,&#xD;
focusing how water is used as a tool of power, displacement, and destruction. Water, a powerful&#xD;
symbol in literature, represents both life and chaos, and its manipulation serves to control and&#xD;
oppress marginalized communities. Through examples from works such as The Hungry Tide,&#xD;
Solar Storms, The Year of the Flood, and The Grapes of Wrath, the study highlights how water&#xD;
shapes human existence, symbolizing both survival and destruction. Hydro-terror, as depicted in&#xD;
these narratives, goes beyond physical displacement, affecting psychological and cultural aspects&#xD;
of communities. The portrayal of water in these works underscores the colonial exploitation of&#xD;
natural resources, reshaping landscapes and lives. Ultimately, literature reflects the dire&#xD;
consequences of using water as a tool of power, urging a reflection on its symbolic and real-world&#xD;
implications.</description>
      <pubDate>Sun, 01 Dec 2024 00:00:00 GMT</pubDate>
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      <dc:date>2024-12-01T00:00:00Z</dc:date>
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    <item>
      <title>Art Against Authority: Political Undercurrents And Artistic Freedom In Harold Pinter's The Birthday Party</title>
      <link>http://192.168.1.50:8080/xmlui/handle/123456789/550</link>
      <description>Title: Art Against Authority: Political Undercurrents And Artistic Freedom In Harold Pinter's The Birthday Party
Authors: Hashir. K. P
Abstract: The Birthday Party by Harold Pinter remains as a quintessential epitome of comedy of menace which substantially&#xD;
deals with the political themes within a seemingly mundane domestic settings. In fact the play is a subversive&#xD;
work that critiques authoritarian control, unraveling its political undercurrents through the characters'&#xD;
psychological confinement and existential apprehension. Pinter’s drama not only operates as an intense portrayal&#xD;
of personal alienation under ambiguous authority but also serves as a profound commentary on the dangers facing&#xD;
artistic freedom. To further this analysis, comparisons are drawn with the personal struggles of celebrated writers&#xD;
such as Salman Rushdie, Victor Hugo, Boris Pasternak, and Antonio Gramsci, each persecuted for challenging&#xD;
dominant political narratives. Through their experiences, this study examines the personal and social&#xD;
consequences of artistic expression in the face of censorship, repression, and state-enforced silence.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
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      <dc:date>2024-01-01T00:00:00Z</dc:date>
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    <item>
      <title>The Paradox of Surveillance and Privacy: A Comparative Analysis between Orwellian Surveillance and Contemporary Digital Privacy Issues</title>
      <link>http://192.168.1.50:8080/xmlui/handle/123456789/549</link>
      <description>Title: The Paradox of Surveillance and Privacy: A Comparative Analysis between Orwellian Surveillance and Contemporary Digital Privacy Issues
Authors: Hashir. K. P
Abstract: The twenty-first-century digital landscape has redefined the tension between surveillance and privacy,&#xD;
reawakening concerns articulated by George Orwell in his dystopian novel, Nineteen Eighty-Four. It is&#xD;
conspicuous that the unsettling parallels between the totalitarian surveillance apparatus of Orwell’s Oceania&#xD;
and modern surveillance mechanisms embedded in digital infrastructure. By analyzing key passages and&#xD;
concepts from Orwell’s text such as "Big Brother," "telescreens," and the perversion of truth, we scrutinize the&#xD;
manifestation of surveillance in contemporary digital society, including data collection, algorithmic profiling,&#xD;
and state-sponsored monitoring. Both the Orwellian and modern frameworks operate on a delicate balance of&#xD;
power and knowledge, demonstrate a paradox in which surveillance is justified as a means of "protection,"&#xD;
while simultaneously stripping individuals of privacy, autonomy, and, ultimately, agency.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
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      <dc:date>2024-01-01T00:00:00Z</dc:date>
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