http://192.168.1.50:8080/xmlui/handle/123456789/139 2026-05-26T10:44:28Z http://192.168.1.50:8080/xmlui/handle/123456789/144 Title: Bloom’s Modern Critical Interpretations William Shakespeare’s Romeo and Juliet Authors: Harold Bloom Abstract: Harold C. Goddard, in his The Meaning of Shakespeare (1951), remarked upon how much of Shakespeare turns upon the vexed relationships between generations of the same family, which was also one of the burdens of Athenian tragedy. Except for the early Titus Andronicus, which I judge to have been a charnel-house parody of Christopher Marlowe, Romeo and Juliet was Shakespeare’s first venture at composing a tragedy, and also his first deep investigation of generational perplexities. The Montague-Capulet hatred might seem overwrought enough to have its parodistic aspects, but it destroys two immensely valuable, very young lovers, Juliet of the Capulets and Romeo of the Montagues, and Mercutio as well, a far more interesting character than Romeo. Yet Romeo, exalted by the authentic love between the even more vital Juliet and himself, is one of the first instances of the Shakespearean representation of crucial change in a character through self-overhearing and self-reflection. Juliet, an even larger instance, is the play’s triumph, since she inaugurates Shakespeare’s extraordinary procession of vibrant, life-enhancing women, never matched before or since in all of Western literature, including in Chaucer, who was Shakespeare’s truest precursor as the creator of personalitie 2009-01-01T00:00:00Z http://192.168.1.50:8080/xmlui/handle/123456789/143 Title: Bloom’s Modern Critical Interpretations William Shakespeare’s Julius Caesar Authors: Harold Bloom 2010-01-01T00:00:00Z http://192.168.1.50:8080/xmlui/handle/123456789/142 Title: A Critical History of English Literature Authors: DAVID DAICHES Abstract: TillS IS AN AGE of specialist .schoiars, and for one man to attempt a complete history of English literature is now both rash and unusual. I cannot claim to be a specialist in all the periods on which I have written, nor, in spite of my best attempts, have I been able to keep abreast of all new developments in English studies. But I have been reading English literature continuously and closely ever since I be- gan my studies at Edinburgh University in 1930, and I have long felt the urge to describe the whole scene as I see it. This, therefore, is one man's history of English literature; it is intended less as a work of reference than as a. work of description, explanation, and critical interpretation. It is not meant to be looked up, but to be read. I have given myself generous space in dealing with major figures such as Shakespeare and Milton, without bothering whether, in strict terms of relative greatness, they deserve so much more than I have given to some other writers. Indeed, ,the chapters on Shakespeare and Milton can perhaps stand as ind~pendent critical studies, capable of being extracted from the rest of the History and read as short books on their Own. Nevertheless, thougb the word "critical" in my title is important, I have tried never to lose sight of the fact that this is a history, not a series of separate critical studies, and the appropriate kinds of historical generalizations and the proper continuity of nar- rative have, I hope, been maintained throughout. I may sometimes have treated a minor writer who interests me particularly at greater length than he deserves, or rather briefly summarized something im- portant and well known. But I have tried to see my subject steadily and see it whole; and I have tried to write interestingly, less as the impersonal scholar recording facts than as the interested reader shar- ing his knowledge and opinions. 1961-01-01T00:00:00Z http://192.168.1.50:8080/xmlui/handle/123456789/141 Title: English Literature Its History and Its Significance for the Life of the English Speaking World Authors: William J. Long 2012-01-01T00:00:00Z